Abstraction meaning (what is it, concept and definition)

What is Abstraction:

Abstraction is an intellectual capacity that consists of separating an element from its context to analyze it and make a concept of it.

The word comes from the Latin abstrahĕre , which means 'to drag away', 'to separate' or 'to set aside'. In this way, abstraction means action and effect of setting something aside to understand it.

Abstraction is useful and indispensable for the formation of human knowledge. In effect, all knowledge goes through a process of abstraction that results in an "abstract concept", that is, an idea or notion.

Therefore, human beings are endowed with the capacity of abstraction, that is, the ability to select segments of reality and analyze them in an orderly and systematic way.

The human sciences, natural sciences, ideologies, religions, myths and the arts are the result of processes of abstraction of different types or degrees.

Abstraction in philosophy

For philosophy, abstraction is an intellectual operation that isolates a certain property of the object for its study, analysis and reflection. The purpose of such a mental operation is to understand the ultimate essence of things.

The Greek philosopher Aristotle proposed that every process of abstraction starts from the analysis of empirical data. According to the philosopher, three degrees of formal abstraction can be recognized.

First degree of abstraction (physics)

The first degree of abstraction is that which captures and analyzes the nature of the sensible order (matter), that is, those elements that "are" in its matter, which are called "mobile entities". In this way, it refers to the science of physics, but other natural sciences such as chemistry and biology also do the same.

Second degree of abstraction (mathematics)

The second degree of abstraction is the one that studies the “entity quantum”, that is, the quantity. It dispenses with the “mobile entity” since, although it has a material reality, the “quantum entity” can be analyzed independently. The second degree of abstraction is characteristic of mathematical science.

Third degree of abstraction (philosophy)

The third degree of abstraction centers its focus on the entity itself, that is, on its "transcendental" dimension, and separates the "mobile entity" (matter) and the "entity quantum" (quantity). It includes entities that do not require matter to "be", although they may be endowed with one or may be immaterial (not to be confused with the immaterial spiritual). This degree refers to metaphysics and, therefore, to philosophy.

It may interest you:

• Metaphysics, Philosophy, Knowledge.

Abstraction in psychology

According to Jean Piaget, one can speak of two types of abstraction from the point of view of psychological processes: simple abstraction and reflective abstraction.

Simple abstraction is the one that allows the individual to extract information from objects, that is, from sensible reality.

Reflective abstraction is one that allows the subject to extract knowledge from their actions on sensible reality.

Abstraction in art

Picasso. Sketches that reflect the process of graphic synthesis and abstraction of the bull's motif.

In art, abstraction refers to the analysis and representation of the plastic elements of composition apart from figurative references. For example, point, line, color, geometry, volume, mass, and the materials themselves.

Thus, abstract art renounces imitation and figurativism and deals with essential forms, all of them abstracted from objects present in nature or sensible reality.

Abstraction in the plastic arts has been around since time immemorial. It can be seen, for example, in the use of geometric motifs from the Neolithic period.

However, as a movement, abstract art is founded in the contemporary era, resulting in a series of different currents, grouped into a category called abstractionism.

Types of abstraction

Vasili Kandinski: Yellow, red and blue . 1925.

Among the main types of abstraction in art we can list the following:

• Rayonism (1909): represented by Mikhail Larionov and Natalia Goncharova. deals with the plastic transcription of the luminous phenomenon. Lyrical abstraction (1910): represented by Vasili Kandinski. Use plastic elements with compositional freedom with an emphasis on the harmony between the elements. Constructivism (1914): represented by El Lisitsky. It incorporates spatial geometry, as well as modern tools, techniques, and materials. Suprematism (1915): represented by Malevich. It focuses on composition through plane geometry. Neoplasticism (1917): represented by Piet Mondrian. Limit plastic resources to the use of straight lines and primary colors. Abstract expressionism (h. 1940): represented by Jackson Pollok. He conceives the canvas as an unintended expression of the artist through automatism and non-figurative improvisation. Informalism (c. 1950): represented by Henri Michaux and Antoni Tàpies. Add concern for materials to the automatism and improvisation of abstract expressionism.

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