Christopher Nolan is a prominent film director of London origin who has in his career great films such as "The Dark Knight", "Interstellar", "Inception" or "The Prestige", among many other jewelry. His films usually revolve around epistemology and metaphysics, focusing his plots on human evolution and the way we perceive time.he is one of the filmmakers who has best known how to mix commercial cinema with cinematographic art
Great Quotes and Thoughts by Christopher Nolan
To learn more about the professional career and personal life of this director, we bring you the best quotes from Christopher Nolan.
one. A camera is a camera, a shot is a shot, as the story says is the main thing.
The story is what captivates the viewer.
2. I studied English literature.
Talking about his studies
3. But for all our power and self-importance, we are all slaves to what we fear most. You have a lot to learn.
Fears can control us if we let ourselves be carried away by them.
4. As far as dreams go, I would really just point out that there are times in my life where I experienced lucid dreaming, which is a great feature of “Inception”.
Talking about his inspiration for Inception
5. For me, any type of film that is reactive is not going to be as good as something more inventive and original.
About the types of movies you enjoy the most.
6. People want to see something that shows that you can do what you say. That's the trick.
Reading the likes of people who watch movies.
7. I wasn't a very good student, but one thing I got from him, while making films at the same time with the university film society, was that I began to think about the narrative freedoms that authors had enjoyed for centuries and it seemed to me that filmmakers they should enjoy those freedoms too.
An interesting anecdote about his time as a student
8. Each film must have its own world, a logic and feel that it expands beyond the exact image that the public is seeing.
Each film is a different and unique world.
9. The last personification of Bruce Wayne. He has exactly the balance of dark and light we were looking for.
Showing his character building for Bruce Wayne
10. Batman is a wonderfully complex character, someone who has utter charm and then can just turn it into icy cruelty.
Talking about what he likes best about Batman.
eleven. The idea of realizing that you are in a dream and therefore trying to change or manipulate that in some way is a very amazing experience for people who have it.
The reason why she loves basing his stories on dreamlike fantasies
12. I like movies where the music and sound design are sometimes almost indistinguishable.
Subtle things but that generate a certain remarkable impact.
13. Management for me is about listening and responding and realizing how much they need to know from me and how much they have discovered for themselves, really.
What it means to him to be a film director.
14. My most pleasurable movie experiences have always been going to a movie theater.
Showing how much you enjoy going to the cinema to see a movie.
fifteen. I think the films of insomnia and of memory share all sorts of thematic concerns, such as the relationship between motivation and action, and the difficulty of reconciling their view of the story with the supposedly objective view of that story.
The stories that appeal to you the most to put on the screen.
16. My approach with actors is to try to give them what they need from me.
A reciprocal relationship.
17. Yes, it's strange when you look back at your own work. Some filmmakers don't look back on their work at all.
It is always good to look back at our previous work to analyze what we have achieved and what we need to improve.
18. I look at my work a lot, actually.
It doesn't hurt to be constructively critical of ourselves.
19. When television became the only secondary way movies were viewed.
Talking about the power of television as a home theater screen.
twenty. To be honest, I don't like to watch movies much when I'm working. They tend to fall apart on me a bit.
When you work alone, you focus on achieving what you expect.
twenty-one. To me, Batman is the most clearly to be taken seriously. He is not from another planet, nor is he full of radioactive junk.
For Christopher, Batman is the most real superhero of all.
22. Why did we fall? So we can learn to recover.
The only way to recover is to keep going.
23. Revenge is a particularly interesting concept, especially the notion of whether or not it exists outside of just an abstract idea.
Talking about revenge as a theme to explore in movies and stories.
24. I have always been a movie man, movies have been my thing. I love movies, all kinds of movies.
A fan of the seventh art.
25. But in the back of my mind I've always looked at Hollywood movies on a larger scale.
Not just as a spectator but as someone who wants to build something new.
26. I like movies that keep turning heads in all kinds of different directions after I've seen them.
Movies that do not remain static but can have even more story to tell.
27. Sitting there and the lights go down and there's a movie on the screen that you don't know everything about, and you don't know every plot move and every character move that's going to happen.
The mystery that leads us to see a movie in the theater.
28. I like movies that don't have that unanimous response; that do not have consensus in the audience.
A particular type of movie that catches your attention.
29. What it is essentially to me is if you go back and watch the movie a second time, do you feel like you've been played fair? Are all the clues in place? In fact, sometimes these things are even over the top. Specifically, for that reason.
There are critics in the cinema that do not have an understandable context.
30. They just think the audience will. And I think you can feel that separation.
Many directors take into account the future reaction of the viewing public.
31. I never like to feel in a position to require an actor to trust that I am going to do something worthwhile.
He prefers to keep everything transparent with his stakeholders.
32. What I react against in other people's work, like a movie, is when I see something in a movie that I feel I should feel emotional about, but I don't think the filmmaker shares that emotion.
Many movie stories make us arouse deep feelings.
33. I remember the initial genesis quite clearly.
Talking about how it all started in his career
3. 4. The best actors instinctively sense what other actors need and simply accommodate.
Actors who blend in with the character as if they were oneself.
35. I will miss Batman. I like to think he'll miss me, but he's never been particularly sentimental.
One of the films that most marked him.
36. What drew me to Batman in the first place was the history of Bruce Wayne, and that he is a real character whose story begins in childhood.
On what convinced him to create 'The dark night' trilogy.
37. I never considered myself a lucky person. I am the most extraordinary pessimist. I really am.
How you perceive yourself.
38. Actually, I don't tend to do a lot of research when I write.
It seems to be something that happens to him more spontaneously.
39. I feel the responsibility to articulate what I am going to do. I either show them a full script or sit down with them and describe my ideas in detail.
It is better to have an organized idea from which to develop a story that leads to a coherent ending.
40. But what for me is absolutely unifying is the idea that every time I go to the theater and pay my money and sit and watch a movie on the screen, I want to feel like the people who made that movie think it's the best movie in the world. , who poured everything and really love it.
Referring to the fact that every director should be proud of his product.
41. Don't be afraid to dream a little bigger, honey.
We can always continue to grow and be better.
42. To me, Batman is the most clearly to be taken seriously.
About his preference for Batman over any other superhero.
43. I think there's a vague feeling out there that movies are getting more and more unreal. I know I've felt it.
On the transformation of films.
44. You know that Hollywood makes a great big blockbuster that really envelops you in a world, and allows you to believe in extraordinary things that move somehow, in an almost operatic sensibility. That to me is the most fun I have at the movies.
Talking about the reason for his love for cinema.
Four. Five. But I've been interested in dreams, actually since I was a kid.
A topic that was always present in his interests and that became his strongest point to tell a story.
46. Every great story deserves a great ending.
Without a doubt, the end of a story should represent the good part of it.
47. For me, the most interesting approach to film noir is subjective. The genre is really about not knowing what's going on around you and that fear of the unknown.
About what is actually concentrated in film noir.
48. The real truth of that is that even though you want to believe you are in the know, you are actually putting a massive trust in the people around you.
The truth is not always absolute.
"49. I would never say that someone else&39;s movie is not a real movie. The quote is inaccurate."
Each director makes his film what he considers to be the best
fifty. We all wake up in the morning wanting to live our lives the way we know we should. But we usually don't, in small ways.
Many dreams, but we have no idea how to make them come true.
51. You should always be well aware that the public is extremely ruthless in their demand for novelty, novelty and freshness.
The worst movie critics are the audience.
52. The only way to do this effectively is to enter the maze, rather than looking down at the maze, so that's where I come in.
The way he creates movies so profound and meaningful.
53. You have to deal with problems of memory and desire.
Not only can you capture an ideal world, but struggles.
54. One of the things you do as a writer and filmmaker is understand symbols and resonant images without necessarily understanding yourself.
Have a very broad view of the world and what surrounds us.
55. At some point, when you start thinking too much about what an audience is going to think, when you're too aware of it, you make mistakes.
Sometimes we have to put certain things aside so they don't affect us.
56. There are points where you worry that you may be putting too much into it and alienating the audience. But curiously, some of those fears are not correct.
Many fears are generated by our own negative thoughts and do not represent reality.
57. What you don't understand is that people are basically not good.
People are neither good nor bad. Because we can commit good and bad acts.
58. When it comes to the world of dreams, the psyche, and the potential of a human mind, there have to be emotional stakes.
When dealing with very human topics, emotions cannot be left out.
59. The term 'gender' over time becomes pejorative because you are referring to something that is so codified and ritualized that it no longer has the power and meaning it had when it started.
Speaking of the beginning of the categorization of movies.
60. I think there's been this growing misperception that kids aren't going to respond to something because it's for adults too.
Children can understand different contexts.
61. Superheroes fill a void in the pop culture psyche, similar to the role of Greek mythology.
Superheroes are a representation of that figure that can save us, without us being responsible for it.
62. Whether or not I agree with what they've done, I want that effort there, I want that sincerity. And when you're not feeling it, that's the only time I feel like I'm wasting my time at the movies.
You don't have to agree with something to recognize it as a good deed.
63. I think audiences feel too comfortable and familiar in today's movies. They believe everything they hear and see. I like to shake that.
Giving an unexpected twist that surprises the audience.
64. For me the most satisfying experience is watching a movie, if it is done very well. And so that the aspiration is always for me, if I have the opportunity to do so.
It's always satisfying to see that we've created something great.
65. I have always been fascinated by the idea that the mind, when asleep, can create a world in a dream and you are perceiving it as if it really existed.
A world of illusions that is within reach of our minds when we rest.
66. Movies are subjective: what you like, what you don't like.
Everyone gives the meaning they want to the works they see.
67. Superman is essentially a god, but Batman is more like Hercules: he is human, very flawed, and bridges the gap.
The differences between Batman and Superman.
68. The movies had to adhere to a fairly linear system, so you can fall asleep for ten minutes and go answer the phone and not really lose your spot.
About the way movies were constructed before.
69. I feel like I've learned something as I look at things I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or whatever.
There is no better way to learn than to correct our mistakes.
70. There are very few actors who can do that, and Christian is one of them.
Flattering the chameleonness of Christian Bale in his role as Batman.
71. If I could steal someone's dream myself, I'd have to go for one by Orson Welles.
Showing your admiration for one of the greatest of fantastic and surreal narratives.
72. You will learn something just as deeply as when it is purely out of curiosity.
Curiosity leads us to explore topics that end up enchanting us.
73. Basically we are selfish. We push and cry and cry for adoration and beat everyone else up to get it.
Each person fights for what he wants. Although not always in the most appropriate way.
74. I've always believed that if you really want to try and make a great movie, not a good movie, but a great movie, you have to take a lot of risks.
Risks are what allow us to do things in a big way.
75. It's not that often that you have a huge commercial success and then have something you want to do that people can get excited about.
Sometimes success can become a burden.
76. Life is a competition of blackened peacocks enraptured in inane mating rituals.
An interesting metaphor about life.
77. As a film director, it's a very he althy burden for me to be able to articulate what I want to do, to inspire the actors, rather than just say, trust that I'll be able to do something worthwhile.
A responsibility that makes you love your job.
78. I think a lot of what I think you want to do with the research is just confirm the things you want to do.
Research should be a kind of guide to get where you want to go.
79. This, for me, became a three part story. And obviously the third part becomes the end of the boy's story.
Talking about his commitment to 'The dark night' trilogy.
80. If the research contradicts what you want to do, you tend to go ahead and do it anyway.
It is there when we must make use of our creative capacity.
81. He's not a fully formed character like James Bond, so what we're doing is following this guy's journey from when he's a kid going through the horrible experience of becoming an extraordinary character.
About being inspired by him to show the development of Bruce Wayne's life as Batman
82. The only job that has interested me besides filming is architecture.
His other address for him if he hadn't taken the path he chose
83. It's always a fun collaboration with my brother. I am very lucky to be able to work with him.
Talking about how much he enjoys working with his brother.
84. What I'm trying to do is write from the inside out.
Their way of writing their stories.
85. I love photographing things and putting them together to tell a story.
Photography is Christopher's way of putting his ideas together to tell us something
86. There is an honesty in collaboration. There is a lack of gender or ego in our conversations. And then you can really throw anything.
When you work with someone, things should flow not get stuck.
87. A hero can be anyone. Even a man who does something as simple and comforting as throwing a coat around a child's shoulders to let him know the world hasn't ended.
We all have the ability to be heroes.
88. That's what makes a character like Batman so fascinating. He plays out our conflicts on a much larger scale.
Batman is the representation of a person with a conflictive emotional charge that he always carries with him despite his achievements
89. The actors, in particular, analyze the script in great detail from the point of view of their specific character. Then they have an exact idea of where the character is in the timeline of things.
The actor must not only know his lines, but bring the character to life as a real person
90. The actors become your best check on the logic of the play and the way everything fits together. They become essential collaborators.
The actors are the main pieces for a story to make sense on the screen.
91. Sometimes you take an objective approach to help you get through things, and you take a subjective approach at other times, and that allows you to find an emotional experience for the audience.
Objectivity need not be at odds with subjectivity to create a compelling story.
92. The main thing is that you have to work with very smart actors.
Actors who love their work and know how to adapt to their characters.
93. Writing, for me, is a combination of objective and subjective approach.
Something that can come out of the wildest imagination, but that makes sense.
94. I really try to jump into the world of the movie and the characters, I try to imagine myself in that world instead of imagining it as a movie I'm watching on the screen.
For Christopher, it's all about creating a story as if it happened in a real place.
95. I believe that movies are one of the great American art forms and the shared experience of watching a story unfold on the screen is an important and joyous pastime.
Movies have the ability to draw people into an art form without their knowing it.
96. When she was 10 or 11 years old, she knew she wanted to make movies.
A dream that stayed with him until it came true.
97. Heist movies tend to be a bit shallow, glamorous, and fun. They do not tend to be emotionally attractive.
Not all movies have a deep plot to analyze or draw a moral.
98. The cinema is my home, and the thought of someone violating that innocent and hopeful place in such an unbearably savage way devastates me.
Talking about how sacred cinema is to him.
99. My interest in dreams stems from this notion of realizing that when you dream you create the world you're perceiving, and I thought the feedback loop was pretty amazing.
Explaining where this fascination for dreams and the mysteries behind them comes from.
100. Film is the best way to capture an image and project that image. It just is, without a doubt.
It is a way of making an image the protagonist of a world.